Cooking Up Enjoyment

Sushi Chef Aoki Toshikatsu: At the Crossroads of Tradition and Innovation

Food and Drink Lifestyle Culture

Nakahara Ippo [Profile]

Sushi aficionados expect more than just top-quality ingredients when they dine in Ginza. They expect a relentless attention to detail combined with the kind of effortless class that cannot be faked. Sushi Chef Aoki Toshikatsu, second-generation proprietor of Sushi Aoki, personifies these attributes. Nakahara Ippo profiles the master chef and his reverential yet inspired cuisine.

Aoki Toshikatsu

Second-generation chef-owner of Sushi Aoki. Born in Saitama Prefecture. After graduating from Nippon Sport Science University, spent one year traveling in the United States. Worked at the famous Kyōbashi sushi restaurant Yoshino before embarking on advanced training under his father, one of Tokyo’s great sushi chefs. Took over Sushi Aoki at age 28, following his father’s unexpected death.

A Tough Transition

After returning to Japan, Aoki first apprenticed at Yoshino in Kyōbashi for several years. He then began perfecting his craft under his father’s tutelage, working at the restaurant Yoshi had just opened in Ginza. Months later, his father succumbed to illness. Aoki was just 28.

Aoki had mastered the basics of Edomae by this point, but he felt woefully unprepared to fill his father’s shoes.  On several occasions he watched his sushi fall apart as he placed it in front of a customer.

But in Ginza, Aoki had the good fortune to be surrounded by a new generation of sushi chefs who had challenged the traditional pecking order and clawed their way to the top by dint of sheer talent and individual effort. Among these was Niitsu Takeaki, the legendary Kiyota chef who had achieved fame for his craft at a young age. He and Aoki’s faithful regulars supplied valuable feedback, letting him know whenever his sushi was below par. That was when Aoki’s advanced training began in earnest.

Aoki picks out fresh fish at the Tsukiji fish market, as he does every morning.

That was two decades ago.  Aoki has long since established himself as a master in his own right and one of the preeminent sushi chefs of our time. His mother, who has managed the shop for decades, pays him the ultimate tribute by saying his sushi is “equal to his father’s in every way.” His mission now is to train a new generation, passing down the tangible and intangible assets he inherited from his father.

Tradition and Innovation

Even during the relatively lean summer months, Aoki typically offers more than 20 types of fish at his restaurant. Seat yourself at the counter, and he quickly serves up a dazzling array of enticing morsels on cool porcelain plates: hoshi-garei (five-spot flounder), kochi (flathead), kohada (gizzard shad), aji (horse mackerel), steamed awabi (abalone) . . .

Because the flavor of maguro is said to suffer in the summertime, Aoki goes from seller to seller at the Tsukiji fish market, selecting the best tuna available. How he cuts and prepares it depends on the freshness of the fish and how long it has aged. He can be resourceful when necessary, sometimes applying several thin slices of chūtoro (medium fatty tuna) in place of one thick piece.

Front row, from left:  Jabara toro and hamaguri clam.
Back row, from left: Kohada (gizzard shad), kuruma ebi (Japanese tiger shrimp), and soy-marinated akami.

From left: Shimofuri toro, hoshi-garei (five-spot flounder), aoyagi (round clam), simmered tako (octopus), and steamed awabi (abalone).

Yoshi’s tried-and-true recipes occupy a prominent place on the menu. One seasonal favorite is tako (octopus) rubbed with salt and simmered slowly in broth flavored with soy sauce and sugar. The tender, sweet-and-salty flesh of the octopus, the wasabi, and the vinegared rice balance one another for a perfect bite.

Alongside these standby items are Aoki’s original contributions. One of his specialties makes use of tenaga-ebi, a type of shrimp (technically, a small lobster) almost never used in sushi. Aoki grills the crustacean with the shell on until barely cooked through, then slaps it (minus head, tail, and shell) on a portion of vinegared rice. Another creation features steamed oyster brushed with his own special oyster sauce instead of the usual soy-flavored sauce. Pop one of these in your mouth and experience the aroma of fresh shellfish roasting on the beach. “Ingredients with a fishy odor are unacceptable in a sushi restaurant,” says Aoki. “On the other hand, the seawater aroma of ocean-fresh seafood can be a secret weapon for the sushi chef who knows how to highlight it.”

Despite the demands of the restaurant, Aoki continues to make time for travel abroad. His periodic restaurant-hopping trips to New York, Paris, and cities around Asia provide new culinary insights, which he integrates seamlessly into the Edomae tradition to enrich and enliven the menu at Sushi Aoki.

Aoki is modest about his creative contribution. “Edomae sushi is a mature culinary tradition that was perfected generations ago,” he says. “You can’t just crank out new ideas and expect them to stand the test of time.” 

Beneath that humility, though, one senses the quiet pride of a master craftsman who takes delight both in honoring tradition and in taking it to new heights.

Sushi Aoki (Ginza)
Ginza Takahashi Bldg, 2nd floor
6-7-4 Ginza, Chūō-ku, Tokyo
Tel: 03-3289-1044
Hours: 12–2 PM, 5–10 PM daily
Closed for New Year’s holiday
Lunch from ¥3,000 
Dinner from ¥20,000 
https://www.sushiaoki.jp/en/index.html

▼Further reading
“Edomae”: A Fast Food with a Long Tradition
Aoki Toshikatsu Talks Sushi
(Video) Sushi Heaven
The Daily Artistry of a Top Ginza Chef

Related Tags

tourism food Washoku dining Tokyo Ginza sushi fish

Nakahara IppoView article list

Journalist and nonfiction writer. Born in Saga Prefecture in 1977. After graduating from high school, began writing about food while working in a food stall in Fukuoka. During his twenties, traveled the world from the upper reaches of the Amazon to war-torn Afghanistan. Author of Saigo no shokunin—Ikenami Shōtarō ga aishita Kondō Fumio (The Last Artisan: Kondō Fumio, Beloved of Ikenami Shōtarō), Kiseki no saigai vorantia “Ishimaki moderu” (Miracle of Disaster-Relief Volunteerism, the “Ishimaki Model”), and other works.

Other articles in this report