The Imperial Family as Postwar Role Model

Society Culture

Since the late 1950s, when the fairy-tale romance of then Crown Prince Akihito and Shōda Michiko captured the public’s imagination, that much-admired couple—now the emperor and empress—has served as a role model for the postwar Japanese family. Sociologist Yamada Masahiro explores the way the imperial family has molded and embodied Japan’s changing mores, from the Meiji Restoration through the emperor’s recent statement on abdication.

Crown Princess Michiko as a Full-time Homemaker

Perhaps even more radical from a prewar perspective was the idea of a member of the imperial family performing such menial chores as cooking. But a series of photos from the period shows Crown Princess Michiko doing just that, standing in the kitchen in an apron and cheerfully preparing what appears to be homemade baby food. Here we see her setting an example as a full-time homemaker, lovingly taking on the full range of domestic chores. This constituted an important element of the postwar family model.

Before World War II, a large portion of the populace had been engaged in family enterprises like farming and shop-keeping, with the wife playing a direct role in production or business activities. Among the upper classes, meanwhile, women relied on servants to carry out domestic chores. However, the rapid industrialization of postwar society drew legions of young men to the city to work long hours in corporations, and the women who married them were expected to support them by staying home and performing domestic duties. The ranks of full-time homemakers swelled rapidly during this period (peaking around 1975), and Michiko provided a role model for this new ideal of Japanese womanhood.

In the publicity photos from around this time, images of Crown Prince Akihito relaxing or playing with his family figure prominently alongside the usual photos of public appearances and ceremonies. Today, we take the idea of family recreation for granted, but in the imperial family, as in other upper-class households, it was customary until then for the husband, wife, and children to pursue their leisure activities separately. This was another respect in which the crown prince and princess served as a role model for postwar families.

Crown Prince Akihito and his family relax at the Karuizawa Prince Hotel in Nagano Prefecture on August 13, 1966.

Role Models in an Aging Society

By now, people expect members of the imperial family to marry for love. When Fumihito (Emperor Akihito’s second son) revealed his intention to marry a college classmate, the announcement raised few eyebrows.

On the other hand, when Crown Prince Naruhito chose to wed Owada Masako, who had embarked on a promising career in diplomacy, I, for one, expressed hopes that their marriage would set an example for the Heisei era, pointing the way to a new mode of family living based on a two-career household. Sometimes, however, the burden of high expectations can be too much to bear; after marriage Crown Princess Masako gave up her career. It seems to have fallen to the current crown prince and princess to illustrate the difficulty of altering the status quo instead of providing a model for change.

In either case, Japanese society has diversified to the point where no single family can serve as a role model for the entire nation. While the postwar model still exerts a powerful influence over the younger generation, many Japanese are embracing the current Western ideal of the two-earner family. But perhaps the most striking change is the growing tendency of young people to remain single and continue living with their parents, even when they wish to marry. What role can the imperial family play in such an environment?

It seems to me that Emperor Akihito and Empress Michiko have answered that question with their 2013 decision to scale down their funeral rites and mausoleums and, more recently, in the emperor’s remarks concerning abdication. In both cases, they have set an example for the elderly in an era of demographic aging and dwindling families.

The custom of the ancestral grave, passed down through the male line, did not take hold among the general populace until the Meiji era, with the codification of the ie system. In the postwar period, the custom of maintaining the ancestral plot has become an increasingly heavy burden, and today—when most couples are having only one child and many people are forgoing marriage altogether—it is fast becoming an impossibility. Among Japanese emperors and empresses, individual burial has always been the rule, from the great tumulus of Emperor Nintoku in the fourth century to the mausoleum of Emperor Shōwa. (Emperor Tenmu and Empress Jitō were buried together in a practice that strikes us today as very modern, but they are exceptions.) The public decision of the emperor and empress to scale down their own mausoleums in consideration of future generations sets a meaningful example.

In fact, both the imperial couple’s decision about their burial and the emperor’s statement regarding abdication strike me as admirable examples of planning for the end so as to lighten the burden on those left behind. Such preparation has become a common theme in Japanese society in recent years; indeed, the buzzword shūkatsu ("end-of-life activity") was coined to facilitate that discussion. Back when families were much larger, it might have been reasonable to assume that one's survivors could tie up the loose ends after one’s death. Nowadays more and more people are taking the trouble to tie up the loose ends themselves.

It seems to me that recent statements and decisions by Emperor Akihito and Empress Michiko are the product of their own shūkatsu. With an awareness that the time left to them is limited, they are making every effort to minimize the burden to the nation. This has only deepened my admiration for them.

(Originally published in Japanese on October 11. Banner photo: Members of the imperial family at the renovated Akasaka Palace May 30, 2010.)

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